Tag Archives: Trevor Mabbett

Trevor Mabbett’s comments on ‘The Man on the Beat’

Last year, my friend Lloyd Davis did some work with the British Council, digitising their film archive. He kindly allowed my father, Trevor, and me to see an early screening of The Man on the Beat, which is now on their website (sadly, not under an open licence). The film was made on and around Ledsam Street in the Ladywood district of Birmingham, where my father was born and grew up.

Merlin Films presents The Man on the Beat - RCA sound system

The following are my father’s comments on the film, transcribed and annotated by me. Times are in minutes and seconds.


00:26 Little Miss Barber, mascot of a local brand of tea. A few of their painted adverts, featuring said female, remain on local (Birmingham/ Black Country) buildings; some as “ghost signs”, while others are lovingly repainted by whoever owns or lives in the buildings. Sadly, every now and again, one gets painted over. Andy wrote a Wikipedia article about her.

00:34 Top right as camera pans left is the Belliss and Morcom factory. St Margaret’s church is behind the Rann St sign — my parents were married there in 1919. The church is the building at 52.47875,-1.92304 on the old Ordnance Survey map. Rann Street is to the South of that, running SW-NE (roughly the line of modern-day Guild Close; which you can see by toggling the map selection, top-right). Monument Road LMS sheds can be seen further NE (now Kilby Avenue). My parent’s shop is a few blocks behind the camera. I used to climb on the wall on which the Rann St sign is fixed, often. The phone number on the back of the van is not genuine — perhaps it was changed for filming?

00:39 The pub is possibly the Ladywood House. “Discol” was a brand of diesel fuel.

01:25 Birmingham’s coat-of-arms.

01:47 An RAF corporal; I’m not sure what chevrons on his arm denote (possibly years of service?). The brick “box” in front of the shop in background is the entrance to a cellar bomb-shelter.

02:18 The man in a peaked cap looks like a railwayman (Monument Road LMS sheds were nearby).

02:19 St John Ambulance badge on arm denotes first-aid training. Note finger post (sadly unreadable) behind policeman’s shoulder. “A” on policeman’s collar denotes division to which he was allocated. The dome on top of the phone was blue flashing light, used when station needed to speak to a beat officer (these were the days before police radios).

03:37 Birmingham’s coat of arms in helmet badge.

03:58 Probably Steelhouse Lane Police Station (in city centre); certainly not Ladywood Police Station, which was inside a courtyard. Steelhouse Lane Police Station is still in use, so easy to check.

04:07 BDC — possibly Birmingham Dairy Company?

04:19 White bands on street furniture were added during blackout.

05:20 Reference to Witton on first tram, so Villa Park.

05:22 Second tram is route 3X.

06:38 Bus route 12.

06:40 Rhodes, a fine china shop. Left-hand shop has an owl, sign of Harrisons Opticians. This shop was on corner of Snow Hill (Andy’s mom adds that she remembers being taken to see a large owl sign on top of the building illuminated once the war ended). Note streetlamp above owl, with glass mostly painted black for blackout. Building on right may be the Gaumont cinema.

06:50 Street sign says “Steelhouse Lane”. When facing Rhodes, the city centre is to the left.

08:15 The box on a pillar, painted red, was a break-glass fire alarm, with a telephone connected to the fire station.

09:43 The shop under the street sign may be Mrs Noyce’s tripe shop, where I used to go with a jug, to collect tripe for my family and our neighbours.

10:09 “The Gunpowder Shop”, named after 19th century IRA man who lived
and plotted there. I found a picture in “Britain in old photographs — Ladywood” by Norman Bartlam (1999, p32, lower picture, ISBN 0-7509-2071-8) which also has a brief history of the incident.

10:27 The modern brick annexe with a concrete slab roof is an air-raid shelter.

10:44 The white-painted rocks in the wall are another remnant of the blackout.

Misc: None of the policemen have medal ribbons, which you would expect at the end of the war, so they’re possibly actors, not real officers.